Goldcrest Post New York: Talent

Management

Tim Spitzer

Starting in 1980, 18 years of incarceration and education at Du Art Film and Video: Kinescope Operator, Manager Optical Printing specializing in S-16mm Blow-Ups, Sales Director, General Manager Du Art Video, General Manager Lab & Digital Imaging

5 years at The Tape House: Director of Advanced Imaging Center, the first Digital HD Imaging Facility in the US, first Spirit Datacine 2K transfers in US, first Quantel IQ Edit System in US.

1.5 years at Postworks: VP of Operations, designed New York’s first DI Theater

Jean Lane

Jean Lane has been at Goldcrest since 2006. She was formerly Senior Producer at Lost Planet Editorial and Assistant Producer at Red Car Editorial. Her freelance commercial clients included Berwyn Editorial and Final Cut New York. Jean also comes from a production background - production managing commercials and music videos. Prior to moving to New York in 1996, Jean was an associate casting director on features and television. Her award winning short films have been featured at the San Francisco and New York Asian American International Film Festivals.

Jeanne Sison

Jeanne Sison started as an Agency Producer working on campaigns for Folgers, Dawn and Garnier Nutrisse. Upon leaving the agency world, she ohm’d her way through a year of yoga, then transitioned to postproduction as Producer for the Commercial Division at Soundtrack, an audio post facility in New York.

Jeanne joined Goldcrest in 2006. She coordinates ADR, foley, mix and Dolby Printmaster sessions; and handles bookings for offline systems & offices. She has also post-produced broadcast programs and feature films that have offlined and finished at Goldcrest.

Picture Finishing

Peter Heady

Peter Heady began his career as a union electrical worker working for his father’s company Heady Electric. Luckily for the postproduction community, Peter left the family business to begin working in television and film post as what was once known as an “online editor.”

John Dowdell

John works to bring the best picture quality to the projects on which he is hired. In the years John has given to the Post Industry, he helped found Tape House. There he convinced his partners to invest in the east coast’s first Rank Cintel machine, which revolutionized imaging technology in the film and television communities.

Ben Lay

Ben Lay started in working in technical support for video post production for Digistor in Australia, supporting clients working on Avid, Final Cut Pro and Lightworks including Sound Firm and Spectrum Films at Fox Studios in Sydney, as well as many other post facilities in and around Sydney.

Audio

Mike Suarez

Mike has been playing guitar since he was 18, and over the years decided to learn how to record music. He studied at the Full Sail Real World Education program, getting his Associate of Science degree in recording arts in 2003. At school, Mike took a class in post-production and has wanted to work in post ever since. Mike started as an intern at Goldcrest and has worked his way up to be head audio engineer.

Post New York News

Goldcrest Post introduce SplashLive Multiview 3D technology for Advertising

While 3D technology has certainly wowed cinema-goers for decades, the potential for 3D has not easily translated beyond the big screen with its...

Bil Baird's CHARACTERS given NEW 3D LIFE

Davy Jones' Locker "dimensionalized" by Goldcrest Post; new 3D Ali Baba project in development.
Wednesday 1 December 2010...

The Fantastic Mr. Fox

The Fantastic Mr. Fox, Wes Anderson’s first animated film based on the beloved Roald Dahl novel, worked at Goldcrest on both...